Jacques Tourneur
DB: 12 November 1904, Paris, France
DD: 19 December 1977
The son of French director Maurice Tourneur, he edited and directed several small films in France and America, including second-unit work on David O. Selznick's 1935 production of A Tale of Two Cities, where he first met and worked with Val Lewton (Story Editor at the time). Cat People was Tourneur's first big chance at directing, and he showed such a flair that RKO promised to promote him to A pictures after he completed three for Lewton. His A pictures included classics in film noir (Out of the Past, 1947) and horror (Night of the Demon (US title: Curse of the Demon), 1957).
Mark Robson
DB: 4 December 1913, Montreal, Canada
DD: 20 June 1978, heart attack
Edited three early Orson Welles films (Citizen Kane, The Magnificent Ambersons, and Journey into Fear) at RKO, then was assigned to the Lewton horror unit where he was an editor under Jacques Tourneur, then a director. Actually, Lewton was supposed to go to A pictures at the same time as Tourneur, but he wanted Robson to direct his first A picture for him and the studio wouldn't trust an untested director with that much money. So Lewton, ever loyal to his people, turned down the promotion.
Robert Wise
DB: 10 September 1914, Winchester, Indiana
AFI OnLine Tribute to Robert Wise (information and pictures)
Essay by Karin Wikoff on Wise's The Haunting
from Horror-Wood e-zine
Also an editor before working with Lewton, he cut such films as The Hunchback of Notre Dame, The Devil and Daniel Webster, Citizen Kane, and The Magnificent Ambersons (the last two with Mark Robson.) He also has had a very prestigious career after Lewton, with directing credits including classics in film noir (The Set-Up, 1949), science fiction (The Day the Earth Stood Still, 1951), horror (The Haunting, 1963), thriller (The Sand Pebbles, 1966), and musicals (West Side Story, 1961 and The Sound of Music, 1965), winning Academy Awards for Best Director for each of the last two.
Roy Webb
Simone Simon
22k jpg of Simone Simon in Cat
People (screen capture from Tom Axtell)
24k jpg of Simone Simon in Curse of
the Cat People (screen capture from Tom Axtell)
shillPage:
images of Simone Simon (maintained by Steven Hill)
Belles de
Jour 2: images, posters, etc. of Simone Simon
28k jpg publicity still from Josette
(Simone, with Robert Young and Don Ameche)
Born on Apr. 23, 1911 in Bethune, France, she grew up in Marseilles and Paris, working as a fashion designer and model before movies. She had a couple stints in American movies, but was not terribly comfortable despite success, and returned to French movies each time. This took away from her US popularity, but led to great French performances in such as Renoir's La Bete Humaine (1938) along with American films like All That Money Can Buy (The Devil and Daniel Webster) (1941). It was as the succubus in the latter movie that she earned an invitation from Lewton to appear in his first film.
Kent Smith
23k jpg of Kent Smith, Ann Carter, and Sir Lancelot (l-r) in Curse of the Cat People (screen capture from Tom Axtell)
Was on Broadway before signing with RKO and waiting nine months before they cast him in his first movie, Cat People. During that time, he rode to RKO every day on his bicycle to see if he had been assigned yet, which is what he was doing when Lewton saw him and decided he'd be a good fit for the reliable, stolid Oliver. Smith's second wife (since 1962) was actress Edith Atwater (Meg in The Body Snatcher).
Tom Conway
15k jpg of Tom Conway in Cat People
(screen capture from Tom Axtell)
37k jpg of Tom Conway, Rita Corday (see below),
and Vince Barnett in The Falcon's Alibi. (scan from a publicity still)
16k jpg of lobby card from The Falcon in Hollywood
(Veda Ann Borg and Conway)
Born Sep. 15, 1904 in St. Petersburg, Russia, brother of the great actor and noted cad George Sanders. Was a favorite of Lewton's because they shared a Russian heritage. In numerous other movies, his best known non-Lewton role was probably the Falcon, who he played in ten films in the early and middle 1940's. Interestingly, Sanders himself played the Falcon in three movies before Conway. In The Falcon's Brother, Sanders' character was killed, and replaced by his brother Tom, played by... his brother Tom. A heavy drinker, Conway died at age 63 of cirrhosis of the liver.
Elizabeth Russell
32k jpg of Elizabeth Russell in
Cat People (screen capture from Tom Axtell)
shillPage:
images of Elizabeth Russell (maintained by Steven Hill)
A fashion model from New York when she started in movies, she is known for making extremely memorable moments out of little screen time. Due to pressures such as raising a son, Russell was never able to put all her effort into a movie career, and had she not retired from movies rather early, her fame might have taken off.
Jean Brooks
22k jpg of Jean Brooks and Kim Hunter (l-r) in The Seventh Victim (screen capture from Tom Axtell)
A nightclub performer before starting in movies in the 1930's, where she was first billed as Jeanne Kelly for several years, then as Jean Brooks (she was married to writer/director Richard Brooks). Besides the Lewton films, her best-known work is in some movies of the Falcon series, with Tom Conway.
Isabel Jewell
shillPage: images of Isabel Jewell (maintained by Steven Hill)
Born July, 1909 in Shoshone, Wyoming. Acted on the stage, then went to movies where she had some success, then graduated to character roles. Best-known non-Lewton work included 1937's Lost Horizon, where she appeared with The Leopard Man's Margo, and 1935's A Tale of Two Cities which introduced Val Lewton and Jacques Tourneur.
Sir Lancelot
40k jpg of Sir Lancelot in I Walked
With a Zombie (image contributed by Steven Hill)
29k jpg of Sir Lancelot's CD
Trinidad is Changing
He was a calypso singer born in Trinidad, but Lancelot Pinard (his real name) never performed there. His singing success came in America - in movies, radio, and night-clubs. From a wealthy, educated background (one that frowned on calypso as a career choice), he spoke (and sang in) several languages and Caribbean dialects.
Boris Karloff
17k jpg of Boris Karloff as Cabman
Gray in The Body Snatcher
12k jpg of Boris Karloff
in The Make-up Chair of Frankenstein
Letter from
Sara Karloff about US Postal stamps honoring her father, Lon
Chaney, Bela Lugosi, and Lon Chaney Jr.
An English stage actor (born Nov. 23, 1887 in Dulwich, England), he came to Hollywood and became one of the most famous movie monsters ever, in films such as Frankenstein (1931), The Mummy (1932), The Raven (1935), The Bride of Frankenstein (1935), and many others. When RKO first told Lewton that they had signed Karloff, he was afraid that Karloff's reputation for flamboyant horror would take over his pictures. But despite his image, Karloff was in real life a cultured, soft-spoken gentleman who had many times fought to escape typecasting. He and Lewton got along very well, each having much admiration for the other's style. In his career, Karloff was involved in a staggering number of diverse projects; a personal favorite was narrating the animated Christmas classic How the Grinch Stole Christmas, and a more relevant one was hosting the TV suspense series Boris Karloff's Thriller, which Edmund Bansak called "the most Lewtonesque television series in the history of the medium."